2013 saw the forth annual celebration of craftsmanship in the form of Wallpaper* Handmade, where designers, craftspeople and manufacturers are brought together and commissioned to create one-off pieces especially for the exhibition.
More lighting from Norwegian designer Oyvind Wyller and Magnor. In Darkness is handblown into a shape that means light is filtered through tinted glass and therefore doesn’t destroy the ambience by being too bright. The cord is neatly integrated into the hanging of the shade.
Shadow by Sebastian Bergne with Verreum is a series of mirrored glass, thermically insulated tableware. Bergne says: “The idea was to use a double glass wall, which looks silvered on the inside, like a 3D mirror. We’ve made it more contemporary by effectively attaching the pieces to their own shadow, which makes them look quite unstable.”
Next up was the very organic, barely contained Hogalid sofa designed by Karl-Johan Hjerling and Karin Wallenbeck and made by English furniture maker George Smith. The Swedish designers wanted to represent the craft and heritage of English furniture making, but give it a contemporary twist.
My absolute favorite piece from the exhibition was this stone tableware set from Bethan Gray inspired by the striking black and white stone configurations found in historic buildings such as the Amalfi Cathedral and the San Giovanni Battista in Mogno, Switzerland. It’s quite a departure from her current work, so it was really exciting as an example of what can happen when designers are set a brief like this one. The range was made by Lapicida.
This marble installation by Michael Anastassiades and Henraux was inspired by those red cellophane fortune-telling fish you get in Christmas crackers, pushing the technological limits of what’s possible with marble to the limit.
Another favorite was the Mille-Feuille storage units designed by Tokyo-based French architect Emmanuelle Moureaux and made by Schonbuch, “imagined as thin layers of colored sheets scattered in the air, then settling randomly on top of each other”.
Canadian designer Philippe Malouin has been experimenting with architectural materials for some time and worked with Will Yates to create this range of concrete Tupperware-moulded containers. Inspired by London’s brutalist architecture, they have been sandblasted to reveal the aggregate rough finish.
Klaar Prims essentially draws in glass, creating coloured strings that she weaves and melts together before forming the whole thing over a mold, in this case into a simple bowl as seemingly delicate as spun sugar.
Mathias Kiss drew and painted the marble patterns onto this seat using an old oil technique he learned as an apprentice at the French Guild of Craftsmen and Artisans that dates back to the Middle Ages, Compagnons. The piece was made by Pierre Frey.