Ora Unica, designed by Denis Guidone.

Single Hour , 2007

Imprecision and defect manifest a fullness of sense, an inherent pluralism of inflections.

These aspects let us calibrate communication with an idea of imperfection that isn’t negative, but which it simply presents itself as a more complicated concept of perfection, often an insignificant and anesthetic value within its compliance characteristics.

The imperfection becomes the ruling principle of new rational configurations that certify contrast, that wish for irregularity and the break from symmetry, which become distinctive traits of our times.

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