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A Chylak Lace Installation That Weaves Together Cultural History and Heritage Craft

07.06.26 | By
A Chylak Lace Installation That Weaves Together Cultural History and Heritage Craft

During design festivals, installations and pop-ups are not an uncommon sight. Milan Design Week 2026 saw the rise of giant inflatable structures, luxury fashion houses hosted legacy design brands, exclusive collabs bridged industries, and more. Last month in Copenhagen, 3daysofdesign was no different.

In the Danish capital city, the streets were full of site-specific activities—from a larger-than-life Alvar Aalto vase to a hair salon-turned-gallery showcasing textile and ceramic collections. Tucked away in the Baum und Pferdgarten flagship store was an installation by Polish artist, designer, and founder of eponymous modern accessories brand, Zofia Chylak. The oversize lace work tapped into this large-format concept, while digging into a shared cultural history between Denmark and Poland through a specific materiality.

A decorative pink and red wall with white horse and floral designs frames an entryway inside Baum und Pferdgarten store with exposed ceilings.

Created for the occasion, the lace installation acts as a delicate—yet dynamic—entryway into Baum und Pferdgarten’s interior. Drawing on traditional bobbin lace techniques reworked through a modern lens, the airy net-like fabric stands in stark contrast to the cherry red doorframe behind. Blending modern design sensibilities with a heritage craft, the sculptural doorframe feels distinctly chic, with a playful horse motif that speaks to the brand’s name (which translates literally to “Tree and Horse Garden”).

Three women stand in front of a red wall decorated with white lace horses and a framed doorway, posing for a group photo indoors, each showcasing chic Baum und Pferdgarten-inspired style.

Rikke Baumgarten, Zofia Chylak, Helle Hestehave.

White lace panel by Baum und Pferdgarten, featuring horse and floral patterns, hangs against a red background, partially covering white tiled surfaces.

Still, the equine theme has deeper roots. Chylak found inspiration during visits to the Thorvaldsens Museum in Copenhagen, which housed a plaster model of Polish royal Prince Józef Poniatowski riding a horse. The actual Danish-designed sculpture stands today in the Presidential Palace in Warsaw; it speaks to the long political and cultural history of the two countries. (The sculpture was recast and gifted to Poland by the Danish government in 1951 after the Warsaw Uprising.)

A white lace textile with a floral pattern hangs on a gray wall, bordered with decorative leaves and a scalloped edge—a delicate touch reminiscent of Baum und Pferdgarten’s signature elegance.

Photo by Piotr Maciaszek, courtesy MVPR.

Sheer floral lace curtain hanging in sunlight, casting a detailed shadow with flower and leaf patterns on a light-colored wall—a touch reminiscent of Baum und Pferdgarten’s delicate aesthetic.

Photo by Piotr Maciaszek, courtesy MVPR.

A hand holds a piece of netted lace fabric with floral patterns, reminiscent of Baum und Pferdgarten's delicate designs, over a light-colored surface. White lace fabric with a hexagonal mesh pattern and floral embroidery, reminiscent of Baum und Pferdgarten’s signature elegance, is placed on a dark wooden surface.

The installation also references a recent Chylak collection of hand-made jewelry, bags, and accessories inspired by traditional Polish craft, such as amber beading and Wilanów-style embroidery. Named Chylak Heritage, the project includes the Bobowa Lace Collection, inspired by the rich tradition of bobbin-lacemaking rooted in Bobowa, Poland.

Two black garments on hangers, each with a white cloth draped over the shoulders; one cloth features black floral embroidery and the name "Chylak".

A shawl with Wilanów-style embroidery by Chylak

Photography courtesy of MVPR; select images by Piotr Maciaszek.

Sophie Sobol is a Toronto-based writer and editor with a love for art, design and fashion — from public art to the perfect coffee table to her enduring obsession with plaid. As Assistant Editor at Design Milk, she brings her enthusiasm for joyful design to a global audience of kindred spirits. She also has a soft spot for ribbons and framing losing lottery tickets.