Search

An Architecture Firm Celebrates Canadian Design and Craft in a New Office

04.23.26 | By
An Architecture Firm Celebrates Canadian Design and Craft in a New Office

Corporate interiors are designed with function in mind, outfitted with contract furnishings made to support employees as they perform daily tasks. Yet there is little emphasis on the locale where duties are actually performed. When it came time to design their own hub, the architects at STARK decided to create a studio that was also a showcase of regional makers and craftsmanship: a celebration of both people and place.

A modern lounge area with orange chairs, a gray sofa, wooden tables, and a large wall art piece featuring a word search design.

A modern living room with a gray sofa, wooden coffee table, open book, abstract floor lamp, and a wall featuring repeated bold words in a grid pattern.

Located in Squamish, British Columbia, the 3,200-square-foot Queensway office emphasizes an interplay of materials which sets the tone at the entrance. Custom millwork in Canadian-sourced maple veneer adds warmth, and contrasts with the predominant crisp white tone.

Modern office lounge with orange chairs, wooden bench, abstract art on the wall, and a person walking past a glass-walled meeting room.

The material library forms the heart of space. Designers can pair flooring, tiles, and hardware and envision how each piece might enhance a project. This curated archive of finishes, textiles, and sample boards is not only an essential resource, but also a spot that provides endless inspiration for staff members.

A man works at a desk in a modern office while a yellow Labrador retriever lies on the floor nearby.

A modern meeting room with wooden shelves, a long wooden table, blue chairs, and a ceiling light, viewed through glass doors.

Adjacent breakout rooms are ideal for moments of quiet focus. Glass-enclosed conference rooms offer transparency with just enough privacy. Select words and phrases such as “creative boldness” and “authenticity” decorate the clear surfaces. A wood partition has the same terms carved out of the panels, playful reminders of the firm’s ethos.

Wooden shelving unit with books, small plants, decorative objects, architectural models, and a colorful painting; a leafy plant is in the foreground.

In alignment with STARK’s clear approach, every element is on view rather than tucked away. Exposed mechanical systems, bare walls, and concrete floors have an industrial appeal. Acoustic comfort in the open environment is key. Felt ceiling grids and covered panels dampen sound but do not detract from the streamlined style. The lighting program, developed in partnership with a local consultant, defines sectors designated for groups and yet still meets the demands of detailed work.

A woman sits alone at a table in a small, modern meeting room with padded benches, writing on paper under a desk lamp.

Modern bathroom with a long rust-colored countertop, integrated sink, large mirror, and sculptural glass pendant lights hanging from the ceiling.

Strategically placed pops of color produce visual energy without overwhelming the rest of the interior elements. Orange chairs and dividers animate the main zones of the office, while a rich rust tone envelops the largest boardroom. A linear fixture in a soft blue seems to float above the desk area, with seats in a similar tone set in the rooms below.

Minimalist kitchen with light wood cabinets, built-in shelves holding bottles and plants, a microwave, and a light wood dining table with blue chairs in the foreground.

Minimalist kitchen with light wood cabinets, stainless steel backsplash, built-in coffee machine, and three blue chairs at a matching wood table under a modern pendant light.

At this office by and for STARK, colleagues can fully engage with one another, with the space as part of the dialogue.

A person walks through a modern office lounge with orange chairs, a gray sofa, wooden accents, and a perforated wall panel with text.

Anna Zappia is a New York City-based writer and editor with a passion for textiles, and she can often be found at a fashion exhibit or shopping for more books. Anna writes the Friday Five column, as well as commercial content.