Designed by Ximi Li, this series of furniture expresses the malleability and raw quality of aluminum with its bends and weld scars.
Ian Yang, founder of lighting manufacturer Gantri, shares more on how the brand makes great lighting designs more accessible and more sustainable.
Inspired by biophilia, LSA International's Balcony and Terrazza mouth-blown glass planters are both sculptural and purposeful.
Design Milk speaks to Naomi Neilson of Native Trails about the Vintner's Collection, bathroom vanities made from reclaimed wine-making materials.
Another Human's steel chairs and table of the Doodle Collection are each one-of-a-kind and look like two-dimensional line drawings brought to life.
No tools required, a built-in level, and hidden command strips make it easy to pop on the rechargeable Poplight wall light.
Styled after a secretary desk, this textile swathed all-in-one turntable audio system channels French design in 4.1 sound.
This pendant lamp's inconspicuous socket turns any dining space into a work environment, ensuring enough outlets to power a whole team's worth of devices.
Cobra Studios brings creative, sculptural furniture pieces + interiors that overflow with color, material, form, and texture, to life.
Berlin-based studio OUT, aka Objekte Unserer Tag, launches the velvety SEIDEL throw with abstract shapes in bright, punchy hues.
La verdad de la materia is an exhibition at ZONA MACO, by Marusela Granell and Manu Bañó's who create beauty through the manipulation of raw materials.
Originally designed as a one-off for an exhibition, designer Hugo Passos worked with Skagerak to develop a lighter version of the Banco Bench for production.
Who says home office lighting needs to take itself so seriously? The Analog lighting collection is inspired by the art of play.
Max Lamb creates a series of chairs using a material that can be melted away once it is encased in copper.
The Coco seating collection by MUT Design Studio for Ames Living is geometric yet playful, beckoning users to lounge comfortably outdoors.
