Managing Editor Joseph Sgambati III returns for Take 5 to share fond memories of type, a new love for color, and some captivating ceramics.
Designed by Alain Ellouz and Ana Moussinet, the Umami lighting collection is grounded in the Japanese concept of nature at its peak.
Formafantasma’s SuperWire for FLOS transforms planar glass into a glowing architectural system, reimagining the LED filament as a poetic light source.
Designed by Elio Martinelli in 1965, the Serpente lamp by Martinelli Luce gets a fresh glow-up for its 60th anniversary in a zesty new shade.
Designed by Priyanka Narula of The Wicker Story, Whispers of the Wildwood transforms memories of nature into sculptural, handwoven forms in wicker.
A timeless silhouette, playful rope details, and soft materials give Paola Navone’s HAT collection for Contardit its quietly delightful personality.
BassamFellows brings back the 1953 Philip Johnson and Richard Kelly floor lamp, designed to cast a "focal glow" into your spaces.
In his Cassina debut, designer Ferréol Babin transforms geometric shapes into a foundation for poetic lighting called Polyshape.
Sebastián Ángeles turns invisible sound waves into visible, tactile design with Frequency 2.0, a collection inspired by healing frequencies.
Rather than designing a traditional collection, Filip Tack focuses on creating timeless, stand-alone pieces that elevate functionality.
Inspired by childhood toys, Woaw lighting is Nader Gammas’ playful spin on the classic candelabra with bold colors, modular forms, and joyful charm.
A decade in development, the Groove collection by Tom Dixon enhances outdoor spaces with art-deco details and durable aluminum design.
Simplicity takes hold with the Rider Range by Objects for Thought, creating a versatile lighting collection that makes sense in any space.
The Grun' collection combines Victoria Yakusha's heritage + love of animism into poetic furniture inspired by Polesia's ancient forests.
Favius introduces a coffee table by Christian Haas and new colorways for existing designs by Hanne Willmann and Studio Besau-Marguerre.
