The Pilates studio evokes a sense of ritual — through soft lighting, a warm material palette and sculpted surfaces.
Celebrating the calming nature of dappled light, Heath Ceramics was inspired by the work of Bienvenue Studios for their Summer 2026 Collection.
Two new options from Revival Rugs, Shima and Khder, bring texture, pattern, and summer shades to indoor and outdoor spaces.
Dexamenes Seaside Hotel answers the growing global demand for distinctive design destinations with new sensitively imagined accommodations
The FIELD Collection by SIN explores the expanse of materiality within lighting, where a multitude of shades transform under the same conditions.
The new ultra-luxury resort, set along the Sea of Cortez, coheres nature and architecture with wellness and gastronomy.
Inspired by the movement of ribbons through air, Anna Dawson taps in to memories with her grandmother for her newest lighting collections.
Nordic Knots’ Spring 2026 palette borrows from the language of beauty to show how one chromatic gesture can define an entire room.
Nespresso brought Vertuo World to Stockholm with a design-led pop-up at Francesco to celebrate the newly-launched Vertuo Up machine.
Known for her expressive use of color, interior designer Jasmin Reese shares her love of a Hercules ring, her cat, the driving range at night, and more.
A focal point of new-format destination The Ilisian, the new Yabu Pushelberg-designed haunt fuses cultural references in minimalist yet textured decor.
Charcoal chrome meets day-glo finishes in this ceramic and wood lighting collection, crafted by the Milwaukee-based team at Misewell.
On the 100th anniversary of the Japanese mingei movement, New York’s Japan Society puts on the first U.S. retrospective of the influential folk potter.
Designed by MMaison Interiors, il Bracco brings Italian flair to Arizona, with diverse materials from cork to travertine.
Prolific local firm Norm Architects imbued the new accommodation as a careful coherence of nature, tactility, and considered human facilitation.
