Erwan Bouroullec expands raawii’s ARBA Collection with sustainable, flat-pack designs crafted from molded plywood and bent metal.
Fragmenti by Daniele Papuli transforms paper into something entirely unexpected – dense, sculptural, and alive with color.
Brooklyn-based designer Daniel Michalik exemplifies more than 20 years of exploration in the often humble material, now refined: cork.
Launched in partnership with UK-based manufacturer Modus, Studio TK introduces a trio of cork occasional tables, Art, Arne, and Abe.
Carved from styrofoam and coated in resin, the sculptural and unexpected VTNA Table by Yuta Takahashi invites both flexibility and focus.
Winkle Ceramic Design's Squared furnishings collection offers a fresh take on modular slipcast ceramics built off of a series of cubic forms.
A Finnish collaboration pairs Marimekko's bold, joy-filled patterns with Artek's iconic silhouettes in a soft, unexpected expression.
Lawson-Fenning collaborates with Josh Greene on the Agapanthus Collection, featuring furniture rooted in bi-coastal life between California and NYC.
The Healing Forest Tables are a limited-edition collection using reclaimed materials to support women rebuilding their lives.
Still ahead of its time over 60 years later, GUBI reissues Pierre Paulin's futuristic F300 Lounge Chair and T877 Side Table with HiREK recyclable bases.
Henry Julier's Woven Structures collection for USM Modular Furniture introduces Danish paper cord to the iconic Haller System.
Sebastián Ángeles turns invisible sound waves into visible, tactile design with Frequency 2.0, a collection inspired by healing frequencies.
Rather than designing a traditional collection, Filip Tack focuses on creating timeless, stand-alone pieces that elevate functionality.
The In-Side Collection by Thomas Heatherwick for Magis takes upcycling to a new level with post-consumer polypropylene formed into luxury outdoor furniture.
Ah Um founder Zack Nestel-Patt brings his soulful, lived-in aesthetic to the launch of the Jura furniture collection featuring contrasting forms.
